Directed by: David Dhawan
Starring: Anil Kapoor, Karishma Kapoor, Juhi Chawla, Kader Khan
Released: 1994
Verdict: destroy every copy – horrible – bad – whatever – flawed but enjoyable - good – great – amazing
Many years before Farah Khan brought to life Main Hoon Na that revolved around a college and terrorism, there was David Dhawan who created a movie based on the two as well. Main Hoon Na is not even remotely a copy of Andaaz, as the two stories are different, and where Farah Khan´s movie changes easily from comedy to family drama and action flick, David Dhawan stayed faithful to what he could do best and maintained the light spirit throughout, yet still I found it curious that the two movies have the same feel. Main Hoon Na, aspiring to be a modern day classic in my book, is of course far superior to Andaaz in every department, being a slick, polished and witty massala of the memorable team Farah-SRK, while Andaaz is what it is: a typical 90s movie with loopholes, bad cinematography and Shakti Kapoor.
Anil Kapoor armed with his trademark moustache and wearing glasses (signifying he is a civilized and educated man this time) comes to a college as a new teacher, however his peaceful nature and young age make him a favourite target of student jokes and tricks. One of the girls in particular disturbs his inner balance – Jaya (Karishma), who, after pulling a practical joke on him, seems to annoy him with every single thing. Anil puts up with everything up until the moment he finds an „I love you“ note addressed to him. He gives it to Jaya (as he believes it was her sending it) without much of an explanation, and thus starts an avalanche of other similar notes. Unknown to him it was not her who sent them, but one of other students trying to avenge for previous punishment, and while Anil thinks he is love object of Jaya´s, she in return believes she is his, building this belief on the I love you notes he keeps giving her „back“
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| The film is also an unashamed eyeglasses porn. |
When truth comes out it is already too late for Jaya, who is head over heels and for real in love with the teacher, and in order to gain his affection leaves the school and moves next door, only to be rejected again and again. Until finally Anil decides to bring home – a wife! Marrying in a hurry he chooses Juhi Chawla in an orphanage, with a conviction him marrying will shoo Jaya away forever. Originally he wanted a woman who could cook, sing, be educated. Juhi is none of that and quite useless, however Anil is not angry for long because she still possesses the erotic female parts and basically the whole second half of the film could be called „The tales of a horny husband“. One song in particular made me stare at the screen in a complete disbelief of what was actually happening! The first 13 seconds will be enough for you to understand!
Karishma, who dominated the first half completely, being adorable with her huge eyebrows and frizzy hair, is immediately sidelined not only by her love interest (now interested only in jumping into bed with the wife at every single opportunity. Compared to the latest Dhawan movies it was all still innocent, which can give you an idea of how distasteful are his films now.), but also the script, which is a shame. Her character henceforth doesn´t really make much sense and looses all the appeal.
You may be wondering by now where the terrorists fit in. They don´t fit in at all – and yet they are present. The „action“ subplot is limited to about three or four short scenes during the film, only to overwhelm it in the last 15 minutes, and basically holding no importance at all. In fact the whole terrorist thing is just a way how to get rid of Jaya in the end.
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| Let´s get laid darling. |
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| Let´s get intimate! |
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| Actually, let´s get kinky. |
It´s no Main Hoon Na for sure, but it is worth a shot if you are looking for something fun or if you are missing the naughty but not yet completely over the top vulgar David Dhawan.
